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2012-03-10 17:01:10

Gucci 241101 FWCGN 8655 Techno Tag Medium Tote Bag Beige / Dark

NAME: Gucci 241101 FWCGN 8655 Techno Tag Medium Tote Bag Beige / Dark

PRICE: $939.00 $470.00   from  

  • Model: 241101 FWCGN 8655345

Brand:Gucci
Ref:241101 FWCGN 8655
Series:Techno Tag
Type:Totes
Color:Beige / Dark Brown
Material:GG Fabric, Leather Trim
Season:Spring/Summer 2010 Collection
Size:34 x 15 x 26 (cm)

Gucci GG brown gradient/chocolate leather & metal 382868 sunglas

NAME: Gucci GG brown gradient/chocolate leather & metal 382868 sunglas

PRICE: $263.00 $127.00   from  

  • Model: GU382868-102

GG 1943 Gucci sunglasses
color:brown gradient/shiny chocolate leather & metal
2011 fashion line
***: mens
material: leather
shape: rectangular
style: aviators

Dawn Mello hired Ford in 1990  at the urging of his partner, writer and editor Richard Buckley.In the early 1990s, Gucci underwent what is now recognized as the poorest time in the company's history. Maurizio riled distributors, Investcorp shareholders, and executives at Gucci America by drastically reining in on the sales of the Gucci Accessories Collection, which in the United States alone generated $110 million in revenue every year. The company’s new accessories failed to pick up the slack, and for the next three years the company experienced heavy losses and teetered on the edge of bankruptcy. Maurizio was a charming man who passionately loved his family's business, but after four years most of the company's senior managers agreed that he was incapable of running the company. His management had had an adverse effect on the desirability of the brand, product quality, and distribution control. He was forced to sell his shares in the company to Investcorp in August 1993. Dawn Mello returned to her job at Bergdorf Goodman less than a year after Maurizio’s departure, v and the position of creative director went to Tom Ford, then just 32 years old. Ford had worked for years under the direction of Maurizio and Mello and wanted to take the company’s image in a new direction. De Sole, who had been elevated to President and Chief Executive Officer ofGucci Group NV, realized that if Gucci was to become a profitable company, it would require a new image, and so he agreed to pursue Ford’s vision.In early 1999 the luxury goods onglomerate LVMH, headed by Bernard Arnault, increased its shareholdings in Gucci with a view to a takeover. Domenico De Sole was incensed by the news and declined Arnault’s request for a spot on the board of directors, where he would have access to Gucci’s confidential earnings reports, strategy meetings, and design concepts. De Sole reacted by issuing new shares of stock in an effort to dilute the value of Arnault’s holdings. He also approached French holding company Pinault-Printemps-Redoute (PPR) about the possibility of forming a strategic alliance. Francois Pinault, the company’s founder, agreed to the idea and purchased 37 million shares in the company, or a 40% stake. Arnault’s share was diluted to a paltry 20%, and a legal battle ensued to challenge the legitimacy of the new Gucci-PPR partnership, with the law firm of Skadden, Arps, Slate, Meagher & Flom representing Gucci. Courts in the Netherlands ultimately upheld the PPR deal, as it did not violate that country's business laws. The second largest shareholder is Crédit Lyonnais with 11%. As of September 2001 a settlement agreement was put into place between Gucci Group, LVMH, and PPR.Following Ford's departure, Gucci Group retained three designers to continue the success of the company's flagship label: John Ray, Alessandra Facchinetti and Frida Giannini,[11] all of whom had worked under Ford's creative direction. Facchinetti was elevated to Creative Director of Womenswear in 2004 and designed for two seasons before leaving the company. Ray served as Creative Director of Menswear for three years. 32-year-old Giannini, who had been responsible for designing men's and women's accessories, currently serves as Creative Director for the entire brand.Frida Giannini, formerly Creative Director of accessories, is named sole Creative Director in 2006. In 2009, Patrizio di Marco replaces Mark Lee as CEO of Gucci.Children's lineGucci’s president and chief executive officer Patrizio di Marco revealed that Gucci is set to launch a children’s line in June 2010. The line will initially be unveiled in Italy and to 40 stores around the world. Frida Giannini serves as the creative director of the line. Giannini has been applauded on her fresh, feminine take on contemporary fashion. Born in Rome in 1972 to an architect father and art history professor mother she studied fashion design at Rome's Fashion Academy. Once she completed her education she went on to apprentice at a small-scale fashion house. In 1997 Giannini began a career at fashion house Fendi, where after just three seasons of designing for ready-to-wear she was promoted to designer of leather goods. In 2002 she moved to Gucci as director of handbags, and in 2004 was promoted to designer of all accessories. A year later in 2005 the designer was promoted to creative director of women's ready-to-wear at Gucci, in addition to her role as designer of accessories. In 2006 Giannini was named creative director of the label when she became responsible for design of menswear. gucci bag how _ library library package headquarters new phone _ white fur around the cuffs 2012 February 8 Star comments Leave a comment Romantic purple inserts woolen vest dress, unique version of type work, bringing a fresh sense of vision. A touch of pink and purple, highlighting the delicate, gentle, lovely bow embellishment at the waist, revealing a different kind of little girl sweet taste. Wavy arrangement of the skirt, it is the entire skirt have become very vivid and three-dimensional, with a white base shirt can be a very aristocratic daughter's temperament.Fashion Resolution: The frenzy echoed spring minimalist, pale color jacket like a touch of green tea in the spring, to the fashion circles to bring something fresh taste. The outline of the flow lines, a simple solid color, or light-colored stitching combination. Said goodbye to the dull hue of the winter, when repairing himself out of a tranquil and dress, and return to natural state.Simple and sweet lace long-sleeved dress, white lace, delicate colors highlight the exquisite sense. The dark blue doll collar and cuffs, Collage, echoing each other, filled with a pure sense of childlike. High waist version of type,  hook bally men bag, how to Le gold body proportions, worn alone or with a coat and ankle boots, and bring you many pleasant surprises.Pure blue hooded coat, the long section of the type, big hats and domesticated hen lined, warm, very good. Waist pumping with the design, must handbag what brand good new right does not look very bloated, but also to maintain a slim and moving curve while warm. Downloading with a tight-fitting leggings and snow boots, easy to resist the cold weather strikes.Exquisite hand crochet long sleeve sweater, retro version of the type, the unique flower-shaped, highlighting the exquisite workmanship. Chest bow decoration, as a whole is even more beautiful and moving. Simple and low-key beige sleeves the Lingge woven to create a strong visual effect. Used stockings with short skirts and Barbie school bags are the Japanese girl child, you love the dress Oh.High-end qualities of the rabbit long section of the padded jacket, camel wash simulation wallet in cotton, absolutely love winter. Slim cut so that yy is very personal, wallet and Exhibition guess second-hand now you charming curves. The collar, cuffs and hem using the splicing of real rabbit fur, fur fashion element has played a good match. Gorgeous simulation washed leather, very soft feel, the warmth of the leather.This is definitely a woolen coat jacket pink control of love, very playful, cute collar, asymmetrical bow design, filled with a full sense of sweet. Solid circle with a plush texture, and give you the most intimate warmth. Pure white fur around the cuffs, Yiyi does not seem very monotonous, and how with very little princess temperament.

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