笛子吹奏与指法

笛子吹奏与指法

　　初学者吹奏时一定要注意“风门”、“口风”、“口劲”三方面因素。

　　1、风门：吹奏笛子时，双唇中央气流通过的空隙称为风门。风门再吹奏时随笛子音区的高低而发生变化。低音区因气流较缓而稍放大风门；高音区因气流较急而稍缩小风门。

　　2、口风：吹奏笛子时，经过“风门”出来的气息称为“口风”。“口风”在笛子吹奏的高、中、低音区变化与强弱变化时，要求控制其轻、重、缓、急。吹奏高音区和较强音时，要求“口风”较紧且重；吹奏低音区和较弱音时，要求“口风”较缓且轻。

　　3、口劲：控制“风门”的大小变化和“口风”的轻、重、缓、急时，双唇肌肉、嘴角和面颊肌肉相互配合，反复收放的控制能力称为“口劲”。 　　初学者要想达到理想的吹奏水平，要保持音高的准确和音色的动听必须下苦工夫来进行控制“口风”、“风门”的练习，使自己的“口劲”首先过关。

笛子的指法

以 D调 为准　　

注：@ - 按孔　　O - 开孔　　G - 半孔　　

筒音做

5 .

膜 孔	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
指 法	@ @ @ @ @ @	@ @ @ @ @ O	@ @ @ @ O O	@ @ @ O O O	@ @ O O O O	@ O O O O O	G O O O O O	O @ @ O @ @	@ @ @ @ @ @	O @ @ @ @ @	@ @ @ @ @ O	@ @ @ @ O O	@ @ @ O O O	@ @ O O O O	@ O O O O O	G O O O O O	O @ O @ @ @	O @ @ @ @ @	O @ @ O O O	@ @ O @ @ O
发 音	5 .	6 .	7 .	1	2	3	4	4	5	5	6	7	. 1	. 2	. 3	. 4	. 4	. 5	. 5	. 6

　

筒音做

2 .

膜 孔	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
指 法	@ @ @ @ @ @	@ @ @ @ @ O	@ @ @ @ G O	@ @ @ O O O	@ @ O O O O	@ O O O O O	G O O O O O	O @ @ O @ @	@ @ @ @ @ @	O @ @ @ @ @	O @ @ @ @ @	@ @ @ @ G O	@ @ @ O O O	@ @ O O O O	@ O O O O O	G O O O O O	O @ O @ @ @	O @ @ @ @ @	O @ @ O O O	@ @ O @ @ O
发 音	2 .	3 .	4 .	5 .	6 .	7 .	1	1	2	2	3	4	5	6	7	. 1	. 1	. 2	. 2	. 3

　

筒音做

1 .

膜 孔	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
指 法	@ @ @ @ @ @	@ @ @ @ @ O	@ @ @ @ O O	@ @ @ O O O	@ @ O O O O	@ O O O O O	O O O O O O	O O @ O @ O	@ @ @ @ @ @	O @ @ @ @ @	@ @ @ @ @ O	@ @ @ @ O O	@ @ @ O O O	@ @ O O O O	@ O O O O O	G O O O O O	O O @ O @ O	O @ @ @ @ @	O @ @ O O O	@ @ O @ @ O
发 音	1 .	2 .	3 .	4 .	5 .	6 .	7 .	7 .	1	1	2	3	4	5	6	7	7	. 1	. 1	. 2

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